Joan Vilarrubias
1979 — 1989 · SAINT-ABIT · PYRÉNÉES-ATLANTIQUES

La maison
Chantereyne

Construite presque entièrement de ses mains, Chantereyne est une réalisation à part dans le parcours de Joan Vilarrubias : un lieu où l'architecture, l'artisanat et la création picturale se répondent.

Inspirée par l'imaginaire médiéval, la maison témoigne des procédés décoratifs qu'il développa et perfectionna au fil de son travail.

Photograph from Joan Vilarrubias’s album
IN THE ARTIST’S OWN WORDS

The house,
in its creator’s eyes

Son album conserve les mots qui accompagnaient les photographies. Nous proposons d'en présenter de courts extraits avec les manuscrits originaux.

« On ne sait jamais si on la possède ou si c'est elle qui nous habite. Elle est faite pour captiver. »

Joan Vilarrubias — légende manuscrite de Chantereyne

View the original handwritten label
01 / DOCUMENTARY TOUR

Architecture imagined and built

Facades, arches, entrance passage and outbuildings. The photographs document a house built almost entirely by his own hands.

6 views

Facade and vaulted passage

Individual photograph, page 1

Joan Vilarrubias album · p. 1

Main building facade

View from the courtyard, page 3

Joan Vilarrubias album · p. 3

The entrance passage

A passage that “invites us to dream”, page 7

Joan Vilarrubias album · p. 7

The dovecote

Separate building, page 7

Joan Vilarrubias album · p. 7

Courtyard gate

Exterior entrance, page 9

Joan Vilarrubias album · p. 9

Studio door

Behind the cloister, page 9

Joan Vilarrubias album · p. 9
02 / DOCUMENTARY TOUR

The cloister and its decoration

Arcades, timber framing, ornamental painting and sculptural details: forms the artist brought together throughout the house.

4 views

The cloister

View from the garden, page 5

Joan Vilarrubias album · p. 5

Timber framing

Interior detail of the cloister, page 5

Joan Vilarrubias album · p. 5

Chantereyne’s guardian angel

Painted motif, page 5

Joan Vilarrubias album · p. 5

A gargoyle

Window detail, page 3

Joan Vilarrubias album · p. 3
03 / DOCUMENTARY TOUR

The arts personified

Painting takes pride of place, joined by Music with her lute and Literature represented by a book.

3 views

Painting

Personification of Painting, page 6

Joan Vilarrubias album · p. 6

Music

Personification of Music, with a lute, page 6

Joan Vilarrubias album · p. 6

Literature

Personification of Literature, page 6

Joan Vilarrubias album · p. 6
04 / DOCUMENTARY TOUR

La Brouche

Distinct from the personifications of the arts, this figure belongs to Béarnais and Gascon folklore. It is presented separately.

1 view

La Brouche

Folklore figure distinct from the arts, page 6

Joan Vilarrubias album · p. 6
05 / DOCUMENTARY TOUR

Interior spaces and painted decoration

Columns, vaults, terracotta tiled floors, woodwork and murals.

6 views

Reception room — columns

Vertical view, page 4

Joan Vilarrubias album · p. 4

Reception room — arcades

Overall view, page 4

Joan Vilarrubias album · p. 4

Terracotta tiled floor

Evening atmosphere, page 4

Joan Vilarrubias album · p. 4

Beams and inner passage

View of a passage, page 3

Joan Vilarrubias album · p. 3

Niche with fleurs-de-lis

Decoration on the dovecote’s upper floor, page 8

Joan Vilarrubias album · p. 8

Bench and painted decoration

Another view of the dovecote’s upper floor, page 8

Joan Vilarrubias album · p. 8
Feuillet manuscrit des surfaces de la maisonEnlarge Joan Vilarrubias’s handwritten document
ARCHIVES · ORIGINAL DOCUMENT

Rooms and floor areas

Le feuillet manuscrit conservé avec le book détaille la répartition des pièces, dépendances et espaces extérieurs. Ses indications sont présentées comme un document historique, non comme un métrage immobilier actuel.

469,50 m²Surfaces couvertes indiquées
402 m²Surfaces non couvertes indiquées
3 300 m²Parc, environ
150 m²Plan d’eau, selon le feuillet

Lecture documentaire en cours de vérification. Les indications manuscrites demeurent la référence.

THE ALBUM IN ITS ORIGINAL FORM

Discover the artist’s handwriting

The labels written in his hand complement the images: his introduction to the house, the entrance passage, the dovecote, the cloister and the decorated upper room. They are preserved without graphic reconstruction.

A GROWING COLLECTION

More documents to come

The first plans

An early medieval-inspired design with a moat and drawbridge. Family archives will help tell this story.

The bathroom

The blue-mosaic bath and its gargoyle-shaped tap will be documented when a photograph cleared for publication is available.

The stone washbasin

This detail will be added once a photograph with confirmed publication rights becomes available.

Original document